The play is classified as a comedy, specifically a "Christian comedy," but it is not necessarily a romantic comedy. Normally the definition of a romantic comedy hinges on the story's use of comedy to somehow advance the romantic plot line. This play could possibly be performed in a way that emphasizes the humor in various situations. The scenes where suitors come to woo Portia and choose the wrong casket could be played for comedy. It is also possible for some of Antonio's friends, who are minor characters, to be portrayed in a comic manner. Gratiano is also a somewhat comedic character.
When we describe one of Shakespeare's works as being a romantic comedy, the comedy generally takes place within a familiar context, by way of a theatrical conceit common in the majority of his comedic works. These conceits include mistaken identity or disguise as a way to create confusion or deception in a way that somehow advances the romance. Portia dressing as a doctor of law could be interpreted in this way. In Bassanio's presence, she also refers to her husband and hints she'd be dismayed if he placed his friend's well-being over hers, as Bassanio claims he would do for Antonio. These parts of the courtroom scene can be done humorously, but the menace of Shylock's desire to kill Antonio in a violent manner seems to hint this play was not solely intended as a work of romantic comedy.
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